This production was a surprise success, according to Víctor García Ruiz, precisely because of Alonso’s staging that animated a play in which very little actually happens (108).
García Ruiz, Víctor and Torres Nebrera, Gregorio, eds. 2006. Historia y antología del teatro español de posguerra (1951-1955), vol. III. Madrid, Fundamentos (in Spanish)
Entry written by Gwynneth Dowling. Last updated on 13 November 2010.