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El gran teatro del mundo (1633-1648), Pedro Calderón de la Barca

Titles
English title: The Great Theatre of the World
Date written: sometime between 1633 and 1648
First production date: 1649
Keywords: morality, morality > vice-virtue, identity > class/social standing, identity > hierarchy, ideology > religion and faith, love, art > theatre > metatheatre
Genre and type: auto sacramental
Pitch

In this one-act religious play Calderón takes the world-as-stage metaphor literally; God, as the Director and Producer, commissions human life as a play in His honour. The World is his stage-manager and he casts all of human society, represented by the King, the Rich Man, the Poor Man, the Worker, Female Beauty, Discretion and the Unborn Baby. The characters play their parts as well as they can before facing their Director’s final judgment. Complete with music and a poetic register typical of Calderón’s finest verse, this short play dramatises the allegory of the world-as-stage in a carefully structured human drama.

Synopsis

God, the Director, commissions a play for the purpose of celebrating His glory and greatness. He chooses His acting company, assigning each player a social role to play: He casts the Ki... (Read more...)

Sources

The notion that ‘all the world’s a stage’ was not introduced by this play; indeed Shakespeare’s As You Like It was not the first to employ the phrase either. Yet the way that Calderón ... (Read more...)

Further information

There was a production of El gran teatro del mundo as part of the third centenary of Calderón’s death celebrations in Spain in 1981. For more information see Wheeler, 2008.

Editions
  • Calderón de la Barca, Pedro. 1974. El gran teatro del mundo. Ed. Domingo Ynduráin. Madrid, Istmo

  • Calderón de la Barca, Pedro. 1997. El gran teatro del mundo. Eds. John J. Allen and Dom... (Read more...)

Useful readings and websites
  • Davis, Rick. 2004. ‘Calderón beyond the Dream: A Translator's Note’, Theater, 34, 1, 124-7 (available here: http://muse.jhu.edu/journals/theater/v034/34.1davis.html ) [accessed January 2010]

  • Johnson, Carroll B. 1997. ‘Social Roles and Ideology, Dramatic Roles and Theatrical Convention in El gran teatro del mundo’, Bulletin of the Comediantes, 49, 2, 247-72

  • Jones, Harold G. 1976. ‘Calderón's El gran teatro del mundo: Two Possible Sources’, Journal of Hispanic Philology, 1, 51-60

  • Lipmann, Stephen. 1976. ‘ “Metatheater” and the Criticism of the Comedia’, Modern Language Notes, 91, 1, 231-46

  • MacLachlan, Elaine. 1960. Calderón's El gran teatro del mundo and the Counter-Reformation in Spain. Florence, Sansoni Antiquariato

  • McGarry, M. F. de Sales, Sister. 1937. The Allegorical and Metaphorical Language in the Autos sacramentales of Calderón. Washington, D.C., The Catholic University of America

  • O'Connor, T. A. 1977. ‘Metatheater and the Comedia: A Further Comment’, Modern Language Notes, 92, 1, 336-8

  • Parker, Alexander A. 1943. The Allegorical Drama of Calderón. An Introduction to the Autos sacramentales. Oxford and London, Dolphin

  • Paun de García, Susan. 2006. ‘Sin telón: montando El gran teatro del mundo. Entrevista con Alejandro González Puche’, Comedia Performance, 3, 1, 165-84 (in Spanish)

    See Susan Paun de Garcia’s interview with a director of the play here: http://alejandropuche.blogspot.com/2007/04/el-gran-teatro-del-mundo-la-entrevista.html [accessed January 2010]

  • Vitse, Marc. 2006. ‘Métrica y estructura en El gran teatro del mundo de Calderón’. In La dramaturgia de Calderón: Técnicas y estructuras (Homenaje a Jesús Sepúlveda), eds. Ignacio Arellano and Enrica Cancelliere, pp. 609-24. Madrid, Iberoamericana and Frankfurt, Vervuert (in Spanish)

  • Wheeler, Duncan. 2008. ‘The Performance History of Golden-Age Drama in Spain (1939-2006)’, Bulletin of the Comediantes, 60.2, 219-255

Entry written by Kathleen Jeffs. Last updated on 4 October 2010.

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